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Artist Statement

An improvised dance is an arc of shared experiences. Each dancer carries their attention and makes meaning within their capacity and point of view. And from this decentralized, multi-sided experience a sense of cohesion and composition emerges. Relationships with others, with oneself, and with one’s habits of attention all affect the choices one makes when tasked with composing in real time. This, for me, is the beauty of improvisation - it asks us to bring everything we know, every way we’ve learned to perceive, and to engage in a process of finding and making without the safety of preconceived structure or form. Improvisation asks for our full attention and gives us no place to hide. Composition comes out of a trust in one’s own attention and capacity to weave things together as they come.

 

My work focuses on picking apart the sources of that trust - the relationships with myself, with others, and with materials that give me the confidence and capacity to engage improvisationally and trust in richness to emerge from the unknown. In dance, this has meant building work that is mindful of my relationships with my collaborators and creating structures that both honor those relationships and push us beyond our comfort zones into new and unexpected creation. With printmaking and drawing, I seek to create opportunities to collaborate with materials and time. In some prints, the texture has been built up over weeks of repeated erasure and manipulation. Others are printed as water is still spreading across the surface of the plate. I also work in sketchbooks, in charcoal and pastel. Over time, textures transfer between pages. Paper rips. Color bleeds through. Each page holds pieces of those around it. For me, this way of creating form out of overlapping texture and gesture - the accumulation of action and intention - mimics the ways I’ve come to understand emotional embodiment and more specifically my own journey in embodiment as a transgender person.

 

In all, my work is about time and its accumulation: on surfaces, within our bodies, and in the relationships we hold with ourselves and each other that guide us every day.

Exhibitions

Drawings and intaglio prints have been shown at Hotel Room Art Auction at the Ace Hotel (2019), The Annual Womxn’s Show at Bite Café (2019), Kingsley+Ginnodo Architects (solo show, 2019), The Butterfly Collective at Zhou B Art Center (2018),

Moz-art House Party (2018), and artlessBastard gallery (2018). 

Performances

Jerry’s Map, collaborative improvisation at Intuit Center for Intuitive and Outsider Art, January 2020

Things in Our Capacity, with Kate Ziebart at J E L L O performance series, Elastic Arts, December 2019

Sound Moves, Chrissy Martin, Links Hall June 2019 / Light Box Detroit July 2019

When Fear Hits the Body, A House Unbuilt Dance Company at Chicago Cultural Center, October 2018

Declivity, A House Unbuilt Dance Company at Museum of Contemporary Art Chicago, August 2018

Querida Dali, Querida Lorca, surrealist dance-theater, Middlebury College, May 2018

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